Karas Company and Ballett Frankfurt

Like visual art, contemporary dance is under reformulation in relation to new technologies, challenges to notions of audience and spectacle, and cultural hybridizations. With Karas’ Noiject and the Ballett Frankfurt’s Eidos:Telos, audiences at the Festival international de nouvelle danse this year witnessed large-scale productions which posited an experimental public or social space, circumventing the space […]

The End(s) of the Museum

“The End(s) of the Museum,” an exhibition and related conference held at Fundacio Tapies in Barcelona last spring, posed questions about whether the museum as we know it in the West could be coming to an end. (1) Alluding to “the end of history,” and taking their cue from Derrida’s Les Fins de l’homme, co-curators […]

Lynn Hershman’s exhibition

It is perhaps through the delicate insertion of the scopophilic vantage point that we can begin to understand Lynn Hershman’s exhibition, “Virtually Yours.” This exhibition, combined video works and the Phantom Limb series of photographs with a recent interactive installation, Room of One’s Own, presenting the artist’s recent development in virtual reality, the Internet, CD-ROM […]

Red Mare: A Group Of Women Artists

The work exhibited at the first Red Mare exhibition is diverse by design. One of the artists’ primary aims is to show whilst there are common factors that affect women artists, the art women produce is never recognisably ‘female’. Joanna Greenhill’s work makes use of this dialectic between what has traditionally been seen as opposing […]

Kurt Schwitters Responses to Place

This significant exhibition constitutes the first one-person exhibition of Kurt Schwitters’ work in Douglas, the Isle of Man, the site of his internment as an ‘enemy alien’ after fleeing from Nazi Germany and Nazi occupied Norway. Curated by Fran Lloyd, Kingston University London, the exhibition marks the 65th anniversary of his death in Kendal and […]